Ken Bruen is a singular voice in crime fiction “with his ear for lilting Irish prose and his taste for the kind of gallows humor heard only at the foot of the gallows” (New York Times Book Review). InThe Ghosts of Galway, he brings those elegiac talents to bear on a case involving a famously blasphemous red book and Bruen’s equally profane antihero Jack Taylor.As well-versed in politics, pop culture, and crime fiction as he is ill-fated in life, Jack Taylor is recovering from